The Ramon Magsaysay Award, Asia’s premier prize and highest honor, celebrates greatness of spirit and transformative leadership in Asia. In the past five decades, the award has been bestowed on over three hundred outstanding men, women and organizations whose selfless service has offered their societies, Asia, and the world successful solutions to some of the most intractable problems of human development.
Conchita Carpio-Morales (Philippines): The board of trustees recognizes her moral courage and commitment to justice in taking head-on one of the most intractable problems in the Philippines; promoting by her example of incorruptibility, diligence, vision and leadership, the highest ethical standards in public service.
Bezwada Wilson(India): The board of trustees recognizes his moral energy and prodigious skill in leading a grassroots movement to eradicate the degrading servitude of manual scavenging in India, reclaiming for the dalits the human dignity that is their natural birthright.
Dompet Dhuafa(Indonesia): The board of trustees recognizes the organization and its leaders for redefining the landscape of zakat-based philanthropy in Indonesia, unleashing the potential of the Islamic faith to uplift, irrespective of their creed, the lives of millions.
Japan Overseas Cooperation Volunteers(Japan): The board of trustees recognizes the volunteers for their idealism and spirit of service in advancing the lives of communities other than their own, demonstrating over five decades that it is indeed when people live, work, and think together that they lay the true foundation for peace and international solidarity.
Thodur Madabusi Krishna(India): The board of trustees recognizes his forceful commitment as artist and advocate to art’s power to heal India’s deep social divisions, breaking barriers of caste and class to unleash what music has to offer not just for some but for all.
Vientiane Rescue(Laos): The board of trustees recognizes its heroic work in saving Laotian lives in a time and place of great need, under the most deprived of circumstances, inspiring by their passionate humanitarianism a similar generosity of spirit in many others.
Print media are lightweight, portable, disposable publications printed on paper and circulated as physical copies in forms we call books, newspapers, magazines and newsletters. They hold informative and entertaining content that is of general or special interest. They are published either once or daily, weekly, biweekly, monthly, bimonthly or quarterly. Print Media is the oldest form of media. But even today it is growing from strength to strength. Around 4000 small, medium and large newspapers and magazines across the county are registered with the Registrar of Newspapers every year. This indicates that it is a growing sector where employment opportunities are increasing with each passing day. Most of the young aspirants who want to enter the print media prefer reporting, but newspapers and magazines also seek young talent as photographers, artists, editors, computer experts, librarians, and cartoonists. Students who have writing ability, graphics or photo skills, curiosity and deter →
63rd Filmfare Awards ceremony, presented by the Filmfare Magazine, honored the best Hindi language Indian films of 2017. The ceremony was held on 20 January 2018 at the NSCI Dome in Worli, Mumbai. Winner of the 63rd Jio Filmfare Awards 2018 Best Film Hindi Medium Critics' Award for Best Film Newton Best Actor In A Leading Role (Female) Vidya Balan for Tumhari Sulu Best Actor In A Leading Role (Male) Irrfan Khan for Hindi Medium Critics' Award for Best Actor (Male) Rajkummar Rao for Trapped Critics' Award for Best Actor (Female) Zaira Wasim for Secret Superstar Best Director Ashwiny Iyer Tiwari for Bareilly Ki Barfi Best Debut Director Konkona Sensharma for A Death in the Gunj Best Actor In A Supporting Role (Male) Rajkummar Rao for Bareilly Ki Barfi Best Actor in a Supporting Role (Female) Meher Vij for Secret Superstar Best Dialogue Hitesh Kewalya for Shubh Mangal Saavdhan Best Screenplay Shubhashish Bhutiani for Mukti Bhavan Best Original Story Amit Masurka →
In 2009, an unknown programmer by the name of Satoshi Nakamoto put forward a whitepaper that proposed a creation of new form of digital currency - cryptocurrency. Cryptocurrency functions the same way as regular currencies do in that its used as a means of exchange, unit of account and a store of value. Cryptocurrency, just like other resources, has some demand for it, and subsequently a market price. The significant difference is Bitcoin’s intangibility - there is no bank-issued notes or papers - meaning that rather being used in hand-to-hand transactions, Bitcoins are stored and exchanged digitally within a decentralized, peer-to-peer network. The original Bitcoin software developed by Satoshi Nakamoto was released under the MIT license. Most client software, derived or "from scratch", also use open source licensing. Bitcoin is one of the first successful implementations of a distributed crypto-currency, described in part in 1998 by Wei Dai on the cypherpunks mailing list. Building →
Genetic Modification Genetic modification refers to techniques used to manipulate the genetic composition of an organism by adding specific useful genes. A gene is a sequence of DNA that contains information that determines a particular characteristic/trait. All organisms have DNA (genes). Genes are located in chromosomes. Genes are units of inheritance that are passed from one generation to the next and provide instructions for development and function of the organism. Crops that are developed through genetic modification are referred to as genetically modified (GM) crops, transgenic crops or genetically engineered (GE) crops. Over the last 30 years, the field of genetic engineering has developed rapidly due to the greater understanding of deoxyribonucleic acid (DNA) as the chemical double helix code from which genes are made. The term genetic engineering is used to describe the process by which the genetic makeup of an organism can be altered using “recombinant DNA technology.” This →
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